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・ John Gyles
・ John Gyles (MP)
・ John Gynwell
・ John Günther I, Count of Schwarzburg-Sondershausen
・ John H. & Wilson C. Ely
・ John H. Abeles
・ John H. Adams
・ John H. Adams (NRDC)
・ John H. Adams House
・ John H. Addams
・ John H. Addams Homestead
・ John H. and Mary Abercrombie House
・ John H. Anderson
・ John H. Arnold
・ John H. Arnold (historian)
John H. Auer
・ John H. Aulick
・ John H. Bagley, Jr.
・ John H. Baker
・ John H. Balsley
・ John H. Bankhead
・ John H. Bankhead II
・ John H. Barker Mansion
・ John H. Bartlett
・ John H. Bass Mansion
・ John H. Batten Airport
・ John H. Biggs
・ John H. Blair
・ John H. Bloomer, Sr.
・ John H. Boone


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John H. Auer : ウィキペディア英語版
John H. Auer

John H. Auer (August 3, 1906 in Budapest, Hungary – March 15, 1975 in North Hollywood, Los Angeles) was a Hungarian-born child actor who, on coming to the Americas in 1928, became a movie director and producer, initially in Mexico but, from the early 1930s, in Hollywood.
==Career==
With the crash of the most powerful family in Europe, the Habsburgs, the Hungarian-born, Vienna-educated, child artiste, Auer, tried his hand at business in Europe.〔(【引用サイトリンク】url=http://www.blockbuster.com/browse/catalog/personDetails/70464?pg.1.page=3&pg.1.pageSize=25 )
Auer, however, soon returned to movies. He first tried to work as a director in Hollywood but luck did not seem to favour him. Next, he tried his hand at directing some Mexican films, which did quite well as they not only brought him critical acclaim but the films also fared well in box office receipts, some even brought him awards from the Mexican government.〔(【引用サイトリンク】url=http://www.imdb.com/name/nm0041678/bio )
His success in Mexico helped Auer to make a re-entry into Hollywood and direct films. Although he worked mostly for the Republic Pictures who specialized in Westerns and B films, he stuck to crime thrillers and musicals. Besides directing, he also produced most of his directed films.〔
The year 1934 saw Auer's Hollywood directorial venture, Frankie and Johnny, filmed at the Mascot Studios. His later years were spent mostly with the Republic Pictures. It was in the late 1940s and early 1950s when some of his B-rated movies like Angel on the Amazon, Thunderbirds and Hell's Half Acre were well accepted by the cine-lovers. He also did a film with RKO Pictures's Gangway for Tomorrow and Universal Studios's Johnny Doughboy.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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